 
          member who is good at it,  and he stepped up and started.
        
        
          Rick had done it previously. He stepped up, and then slowly
        
        
          but surely some of us said, okay, I’ll give it a try. The way we
        
        
          do that is by having an assistant dispatcher.
        
        
          “You sit down with one of the experienced ones, watch them,
        
        
          they school you in how to fill out the warrants.  We operate
        
        
          on a warrant system that is transcribed across the radio to the
        
        
          conductor or engineer. So it’s like, when you’re ready you take
        
        
          it on yourself without help.
        
        
          “We’ve been able to increase to about 10 people who can
        
        
          dispatch.”
        
        
          
            Rick:
          
        
        
          “Going into phase 2 with more of the mainline running
        
        
          attracted more guys into dispatching, because phase 1 was
        
        
          Columbia Cascade and Western - 11
        
        
          13: Each freight car has its own card, and traffic is
        
        
          generated by assigning waybills. A limited number of
        
        
          “spot cards” regulates the flow of cars from Albany,
        
        
          Lebanon, and Bend to destinations on the modeled
        
        
          part of the railroad.
        
        
          
            13
          
        
        
          pretty intense. More of the mainline was double-tracked and
        
        
          it was high density industries, so you got a lot of switching and
        
        
          you’ve got to plan your moves ahead and you’ve got two yards
        
        
          that you have to navigate through – the locals had to come out
        
        
          and do their work.
        
        
          “But when it got to phase 2,  things are stretched out. There’s
        
        
          not so much pressure on the guy who’s dispatching – it became
        
        
          more fun. Guys who did dispatch on phase 1, when they would
        
        
          come and dispatch on phase 2, they loved it.
        
        
          “The least glamorous job that nobody wants, is back in stag-
        
        
          ing. You’re in this room,  putting trains together, tearing trains
        
        
          down – there’s some guys that like it, but when we draw for
        
        
          jobs that’s usually the last one to go.
        
        
          “Some like to just sit back and watch how things play out. Then
        
        
          they’ll have an idea of how the layout operates. It’s probably
        
        
          a good idea to be on a pool crew for a while so you kind of get
        
        
          the lay of the land and learn the layout.”
        
        
          
            MRH:
          
        
        
          “Okay, along those lines – track warrant control now, are
        
        
          there any thoughts to timetable and train order, adding signal-
        
        
          ing in the future, maybe CTC?”
        
        
          
            Rick:
          
        
        
          “To answer your first question – no. No timetable and
        
        
          train order. Not that it would not be fun, but I think most of the
        
        
          members would get really confused over it.”
        
        
          “I was  skeptical of track warrants until I actually went down
        
        
          and operated on Joe Fugate’s layout and  saw how track war-
        
        
          rants work,  and listened on the radio, and found out that this
        
        
          works quite well.
        
        
          “On our original layout, we had Direct Traffic Control and you
        
        
          had nothing to check box anything. It was all verbal. So you
        
        
        
        
          MRH-Feb 2013